S. Smith Patrick shares purpose with the children she films.
S. Smith Patrick shares purpose with the children she films.
S. Smith Patrick shares purpose with the children she films.
Cash prizes, recognition showered on the winning filmmakers of 2011 San Francisco International. The San Francisco International Film Festival presented its 2011 Golden Gate Awards to filmmakers Wednesday night at Temple Nightclub/Prana Restaurant. Kelly Duane de la Vega and Katie Galloway's Better This World won both Documentary Feature and Bay Area Documentary awards. Yoav Potash's Crime After Crime received the Investigative Documentary prize. Park Jung-bum's The Journals of Musan won the New Directors award. A complete list...
Cash prizes, recognition showered on the winning filmmakers of 2011 San Francisco International. The San Francisco International Film Festival presented its 2011 Golden Gate Awards to filmmakers Wednesday night at Temple Nightclub/Prana Restaurant. Kelly Duane de la Vega and Katie Galloway's Better This World won both Documentary Feature and Bay Area Documentary awards. Yoav Potash's Crime After Crime received the Investigative Documentary prize. Park Jung-bum's The Journals of Musan won the New Directors award. A complete list...
A filmmaker’s trip to Luanda with a State Department program brings insight on the growth of a young national cinema.
A filmmaker’s trip to Luanda with a State Department program brings insight on the growth of a young national cinema.
A filmmaker’s trip to Luanda with a State Department program brings insight on the growth of a young national cinema.
Filmmakers with deep roots in Bay Area cinema enter the brave new world of Web broadcasting with a series on food education for children.
Filmmakers with deep roots in Bay Area cinema enter the brave new world of Web broadcasting with a series on food education for children.
Filmmakers with deep roots in Bay Area cinema enter the brave new world of Web broadcasting with a series on food education for children.
Caitlin Manning takes a look at her cartoon-artist grandfather's life and legacy.
Caitlin Manning takes a look at her cartoon-artist grandfather's life and legacy.
Caitlin Manning takes a look at her cartoon-artist grandfather's life and legacy.
Two filmmakers examine the justice system in the U.S. post-Sept. 11.
Two filmmakers examine the justice system in the U.S. post-Sept. 11.
Judy Irving goes from parrots to pelicans with her new documentary.
Judy Irving goes from parrots to pelicans with her new documentary.
A filmmaker shows environmentalists who are changing the way we as Americans relate to nature.
A filmmaker shows environmentalists who are changing the way we as Americans relate to nature.
A filmmaker shows environmentalists who are changing the way we as Americans relate to nature.
Today s fun fact: San Francisco has more nail salons per capita than any city in the country.
Cash prizes totaling nearly $300,000 for filmmakers highlighted the San Francisco International Film Festival s Golden Gate Awards Wednesday night.
Along with selfless sacrifices and random luck, low-budget independent films often depend on the timely intervention of an angel.
Don t let Hollywood crow about The Hurt Locker and the year of the woman until more filmmakers of the sort featured at this year s festival benefit.
Don t let Hollywood crow about The Hurt Locker and the year of the woman until more filmmakers of the sort featured at this year s festival benefit.
Leland Orser saw his first movie at the Alexandria, and Joshua Grannell initially established himself as a S.F. character via his alter ego Peaches Christ.
First-time filmmaker Christina Yao is soft-spoken and exceedingly polite, but it s apparent that very little intimidates her.
With opening night approaching, Rachel Rosen talked about her L.A. Rolodex, the function of festivals in a broadband world and her favorites in the festival.
One of the oldest points of contention in documentary is whether the camera s presence alters the subject s behavior.
Deann Borshay Liem's 1999 doc First Person Plural recounted her experience as an orphaned Korean adoptee raised in an East Bay suburb.
The Center for Asian American Media, formerly known as NAATA and founded to nurture Asian American filmmakers as well as counter ethnic stereotypes, has accomplished that and more.
There will probably never be a theatrical release for James Benning's landscape movies. Amazingly, Ilisa Barbash and Lucien Castaing-Taylor have scored distribution and made a splash.
YBCA has sustained a major place in S.F.'s cultural landscape without receiving the due it would have had its mission been narrower and more easily defined.
Olga Samaroff, the path-breaking 20th-century concert pianist, critic and teacher, was born Lucy Hickenlooper in San Antonio, Texas. That's right, she reinvented herself.
Writer-director Andrea Arnold created a stir with her first feature Red Road, but her new film is arguably an even stronger work.
Jennifer Phang has experienced more than enough culture shocks in her life to empathize with the identity challenges of the characters in her debut feature.
Geralyn Pezanoski s doc about the separation and occasional reunion of pets and owners in post-Katrina New Orleans beat the shelf-life odds.
On Sept. 13, 2001, I stood in a Toronto park and spoke to Canadian television: Movies wouldn't be the same. I was wrong.
Claire Denis proves her unpredictability and versatility as a director with the 2008 release 35 Shots of Rum.
Chick Strand, a crucial pioneer of West Coast experimental cinema, died July 11 at 78.
Franny Armstrong talks about the moral imperative of her films, the importance of Hopenhagen, and the unexpected magnitude of her success.
The Toronto International Film Festival has always allowed a generosity of pursuits to co-exist, rewarding the adventurous and satiating the lazy, all without judgment.
To viewers of Lucrecia Martel's earlier work, The Headless Woman is the crowning achievement; the filmmaker speaks about her vision of the world.
A mini-retrospective of the work of Kim Longinotto plays during the Women Make Movies Film Festival at the Roxie.
The tentatively titled Winter of Love uses Prop. 8 as a framework for a look at the increasing acceptance of gay marriage.
Matt Sussman draws conclusions about women and Hollywood from three big women-oriented films of 2008.
What do women want to watch? With Diane English’s recent unfunny and product placement-filled re-make of The Women hitting theaters last week, Hollywood’s answer, predictably, is more of the same.
What do women want to watch? With Diane English’s recent unfunny and product placement-filled re-make of The Women hitting theaters last week, Hollywood’s answer, predictably, is more of the same.
French author and director Catherine Breillat speaks about the fierce passion play of her latest, The Last Mistress.
“Passion & Power, the Technology of Orgasm” gives Rachel Maines’ entertaining academic book on the subject a new life onscreen.
A reprinting of an interview with Amanda Micheli because her film, now playing Sundance, has just made the final cut for an Academy Award.
Yu's latest doc centers on four rather damaged individuals, applying the dramatic structure of Greek playwright Euripedes to contemporary life.
As the Madcat Women's International Film Festival heads into its final stretch this coming week in San Francisco, SF360.org felt it was important to catch up with its chief curator, Ariella Ben-Dov.
Lynn Hershman Leeson discusses her new project, ÔStrange Culture'.
Here are a few quick takes on programs that look particularly worthwhile at Madcat.
The '05 feature imagines a 21-year-old Indian American returning to India to visit her family and discover where she was born.
Sperling's Itty Bitty Titty Committee closes the SF International LGBT Film Festival, at which Sperling—17 films strong—receives the Frameline Award.
The artist's filmsÑsensual, intricate, tactileÑare a magical combination of optical artistry, snippets of forgotten films, and bits of lace, tape, and glitter.
When Bay Area filmmaker Amanda Micheli approaches, you can see that she is an athlete. She's sure of herself.
Segueing from network television news to documentary features, Amy Berg makes her debut with a shocking, powerful film about pedophile priest Oliver Grady.
For close to a decade now, Miranda July has been exploring and often crossing the traditional boundaries between life and the movies.
After weeks of Western Europe, what better way for the young cineaste to crash the City of Light than a trip to the silver screen?
Killer Films' Christine Vachon's new memoir, A Killer Life (written with Austin Bunn), bolsters the producer as the driving force of independent film.
The Maquilapolis filmmakers talk about empowering their subjectsÑwomen factory workers in Tijuana.
The Association for Computing Machinery Ôs 2006 conference and exhibition offered animation, new media art exhibits and the latest techniques in interactivity.
Conference discusses the difficulties for lesbian features to get made and do well at the box office.
The List: How JT LeRoy went from fiction to fact in the media.